Helen Vendler

A dazzling short assessment of the life and work of the poet and winner of the 1995 Nobel Prize for literature. Among Heaney's many published collections are 'Death of a Naturalist', 'North', 'Field Work', 'Station Island' and 'Spirit Level' (May 1996), which was that rarest of things: a collection of poetry that was also a bestseller. Yet despite his popularity, Heaney's poetry can be difficult and intractable, not least because it is linked to two...

Vendler "examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness ... The solution for one poet will not serve for another; each must invent...

Seamus Heaney, Denis Donoghue, William Pritchard, Marilyn Butler, Harold Bloom, and many others have praised Helen Vendler as one of the most attentive readers of poetry. Here, Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. As she did in "The Art of Shakespeare's Sonnets", she serves as an incomparable guide, considering both stylistic and imaginative features of the poems. In selecting these poems for...

Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to perform an act of violence on the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets, her masterful study of changes in...