The Nashville Sound: Bright Lights and Country Music
(eBook)

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Published
University of Georgia Press, 2015.
ISBN
9780820348636
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Paul Hemphill., & Paul Hemphill|AUTHOR. (2015). The Nashville Sound: Bright Lights and Country Music . University of Georgia Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Paul Hemphill and Paul Hemphill|AUTHOR. 2015. The Nashville Sound: Bright Lights and Country Music. University of Georgia Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Paul Hemphill and Paul Hemphill|AUTHOR. The Nashville Sound: Bright Lights and Country Music University of Georgia Press, 2015.

MLA Citation, 9th Edition (style guide)

Paul Hemphill, and Paul Hemphill|AUTHOR. The Nashville Sound: Bright Lights and Country Music University of Georgia Press, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID8d366406-b309-955b-bc96-264069a74ee5-eng
Full titlenashville sound bright lights and country music
Authorhemphill paul
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-06-29 00:35:17AM

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Image Sourcecoce_google_books
First LoadedNov 13, 2023
Last UsedJun 25, 2024

Hoopla Extract Information

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    [synopsis] => While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie's Orchid Lounge, Robert's Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. "Harper Valley PTA" Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history.
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